On January 24, 2013, the company performed original vignettes throughout the galleries of two exhibits: “See the Light” and “The Architecture of Moshe Safdie” at Crystal Bridges Museum of American Art.
Our performance proposal to the museum:
In this journey, the company explores the ideas behind specific art—work in the exhibit. The leading question is inspired by James Terrell’s question about his own work—“How do we come to the Light?” Using Rothko’s No. 210/211 as a figurative portal, the audience travels together to three more vignettes about light. A tour guide will lead the audience to each vignette. The audience can come and go as they like, but the vignettes will be performed in a certain order that follows a through-line.
A vignette that introduces the themes of the journey using the imagery and metaphor of
Rothko’s art. The themes we will explore in the journey are:
*No props are needed.
A vignette between 2 actors that explore some basic ideas of light and the concept behind the artist’s work.
*props needed: two typewriters (industrial and commercial materials) to serve as a fundamental communicative device between the actors. The props plant us firmly in a situation, which will “dematerialize” from the traditional associative state of the object. Also used in vignette are 2 small stands for typewriters and two chairs for the actors.
#3. The Banquet
This vignette takes place in the empty space near the Exit sign of the gallery. Returning to Rothko’s idea of expressing the two states of the human condition—“Tragedy and Ecstasy”, 3 actors invite 3 people from the audience to join them in a “banquet” in the tradition of Dia De Los Muertos (Day of the Dead) while the rest of the audience watches. We use the convention of this tradition to see more deeply into the metaphor of light, and into the idea of “Tragedy and Ecstasy”.
*props needed: 6 chairs, 1 6 foot long table, a table cloth, and other dressings for the table, such as simple table settings (no food or liquid). The environment is more expressive than realistic, therefore we only need a few things for the table.
#4. Sloan Red
A simple experience wherein the host brings the audience into the light installation. A vignette of one or two actors exploring these points:
*no props needed
The performance is vignette between two actors that explores the fundamental ideas and philosophies of architecture while trying build the most beautiful and “fit” thing. Safdie quotes Theodore Cook on his ideal of Beauty: “Beauty connotes humanity. We call a natural object beautiful because we see that its form expresses fitness, the perfect fulfillment of function”. Safdie prefers the word “purpose” over “fitness”. The performance is also inspired by a poem written by Moshe Safdie:
He who seeks Truth
Shall find Beauty
He who seeks Beauty
Shall find Vanity
He who seeks Order
Shall find Gratification
He who seeks Gratification
Shall be Disappointed
He who considers himself as the servant of his fellow being
Shall find the joy of Self-Expression
He who seeks Self-Expression
Shall fall into the pit of Arrogance
Arrogance is incompatible with nature
Thru the nature of the universe
and the nature of man
we shall seek Truth.
If we seek truth we shall find Beauty.